Human skin tones come in varieties and can be a bit of a task when trying to mix the perfect skin colour. As a budding portrait artist that is new to painting, it is very important to master the basic principles guiding skin colour mixing. Here, you will be learning how to make skin colour paint.
Before you begin making a skin colour point, it is very essential to identify your ideal flesh tone using a skin colour mixing chart. A colour chart includes a wide range of shades which can help you to quickly identify the exact tone you need.
Next is to bring together your family of shades. Every person you come across in this world has more than a single shade in skin tones. Natural variations are expected in skin tones and can include even the bags under the eyes and the contours of the face, highlights on the nose, cheekbones, and forehead. Knowing this, we can proceed to the basic shades of skin tones and how to mix them to make skin colour paint.
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The Different Shades of Skin Tones
The shades of the skin tones are basically three. These are light, medium, and dark. One thing that matters is to determine the levels you want and mixing the family of shades should be pretty easy.
How to Make Skin Colour Paint
Mixing Lighter Skin Tones
To mix lighter flesh tones the colours needed are red, yellow, and blue and in equal amounts. Thoroughly mix the colours and add a bit of white and/or yellow to lighten the colour. Usually, the lighter you want the skin tone to be, the more you add white.
Also, you can add a bit of red paint to make the skin tone appear more blush and if for tanned skin tones, just add a bit more yellow and red paint.
You can as well try playing around with the quantity to find the perfect colour for your work. The blue colour is used to darken your skin tones and should be used with care.
Mixing Medium Skin Tones
Medium skin tones will include more colours like raw sienna and burnt umber from your skin colour mixing chart so it is ideal to start mixing a medium skin tone from an orange shade (basically a mixture of red and yellow colours and the quantity of each depends on whether you want it more pink or tan flesh colour. With the orange shade, you can add small amounts of blue paint slowly.
You may also create a variation of your base skin tone using yellow colour to lighten the shade.
Mixing Darker Skin Tones
Start this operation with a mixture of red, yellow, purple, raw sienna, and burnt umber on your colour palette. You can mix the same quantity of burnt umber and raw sienna shades and use them as your initial base undertone. While a second base undertone can constitute a mixture of an equal quantity of red and yellow colours.
Proceed by mixing the two base undertones to create a single base shade. You can make a darker shade by adding a bit purple in slow quantity or a rosier shade by using red colour, and again slow and steadily.
Paint Types in Making Skin Colour
Good knowledge of the basics of mixing skin tones will be helpful. Although, the real challenge lies in the application. Create a particular skin tone is very dependent on the type of paint in use because each can make a significant difference when flesh colours are mixed.
Oil Paints in Making Skin Colour
Oil paint dries slowly. This property makes them a great option to go for when mixing skin tones. One can mix a base tone in large quantities and use it for a prolonged time.
The practical way of using oil paints in mixing skin colours does not come differently from the steps considered above.
Acrylic Paint in Making Skin Colour
Acrylic paint is can create a few problems although they are readily available. They are darker when wet which means you have to mix your base shade all over from the beginning scratch as many times as possible.
If you are able to take care of these likely problems, mixing skin tones with acrylic is just the same way as that of oils.
Watercolour Paints in Making Skin Colour
Watercolour Paints appear lighter when dry so, it is ideal to have a piece of paper around when trying out skin tones. Ensure you try a little quantity of each skin tone on the paper and discover how fast it dries.
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